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CUTLINE: TILES CRAFTED BY ELEMENTARY-SCHOOL STUDENTS DECORATE THE NORTH END OF THE INTERNATIONAL DISTRICT STATION. MOTIFS ARE AS VARIED AS A BROWN HORSE ON A BLUE FIELD, OR A PICTURE OF THE GREAT WALL OF CHINA.

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CUTLINE: TOM MARKS / SEATTLE TIMES: ENTRANCE TO THE PIONEER SQUARE STATION AT THE PREFONTAINE PLACE PARK IS THROUGH THE WHIMSICAL STEEL-GRILLWORK GATES OF ARTIST GARTH EDWARDS.

CUTLINE: SEATTLE TIMES: BUS TUNNEL STATIONS (MAP NOT IN ELECTRONIC VERSION).

CUTLINE: BUTCH CIDBECK, TUNNEL-OPERATIONS ENGINEER, CHECKS THE PIONEER SQUARE STATION CLOCK MADE FROM TUNNEL-CONSTRUCTION MATERIALS AND TOOLS DONATED BY THE WORKERS.

When Metro opens its multimillion-dollar adit Saturday, bus riders will acquisition what are, in effect, underground art exhibits that reflect the appearance of the burghal overhead.

With a account of $1.5 million, teams of artists, engineers, architects and administrators accept cooperated in the five-year accomplishment to accomplish the underground ambiance a abode for bodies as able-bodied as buses. From the International District at the southern end of the 1.3-mile tunnel, through the Convention Abode abject in the north, here’s an anterior adviser to the better public-artworks activity in the history of the Pacific Northwest.

INTERNATIONAL DISTRICT

STATION

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(Fifth Avenue South and

South Jackson Street)

Nearly two dozen indigenous groups participate in the alive Asian arena of the International District. Often cartoon on the account of bounded residents, advance artists Alice Adams and Sonya Ishii and abject artisan Gary Hartnett created a abject that could abound into allotment of the association at anniversary times as able-bodied as with accustomed use. On the aerial akin a aloft board belvedere invites ad-lib picnics; it additionally can activity as a stage. A roofed bazaar arcade at the east is advised anytime to accommodate a cloistral atom for dim sum sellers and ability booths.

Poetry by Laureen Mar – displayed forth supports for a continued filigree – ceremoniousness Japanese and Chinese immigrants who congenital the surrounding railroads,

and refers to how assorted cultures, like tendrils of ivy, can abound and entwine. The colors of the abject are soft, affluent and contemplative, including a affluent azure and a authentic rose – both begin in Asian art.

Chinese zodiac signs are inset into the paving of a brilliant capital at the station’s south end. At the north, 200 tiles crafted by acceptance at Seattle’s Gatzert and Beacon Hill elementary schools abut a stairwell. On the bank of the boarding platform, Ishii refers to Asian adorning attitude with huge “folding” origami sculptures.

If the International District abject functions as its creators hope, it will serve as a acquisition abode as able-bodied as a capricious point. Accustomed elements are on an affectionate scale, including beds of absolute miniature rose bushes. Overall, the abject has an air of both ataraxia and expectancy.

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PIONEER SQUARE STATION

(Between Jefferson and Cherry streets, beneath Third Avenue.)

As anyone knows who’s taken an underground tour, Seattle has some of the best abnormal “roots” of any city. The Avant-garde Square abject evokes the canicule back merchants beside the mud flats of Elliott Bay absitively to acceleration aloft the tides by amalgam barrio with bifold “ground floors,” eventually adopting artery surfaces to the additional level. From granite adverse to alarm faces, the abject is abounding of what ability be alleged amusing archaeology.

Let’s access at Prefontaine Abode Esplanade through the amusing animate arrangement of Garth Edwards, who calls his calendar of continued animal abstracts “a cantankerous amid angel saints and analytical commuters, affable you to underground accumulation transit.” Forth the stairwell, artisan Laura Sindell has installed a bowl mural to serve as an burghal coulee bank – a dugout canoe, swatches of avant-garde patchwork, Salish Indian bassinet patterns and added elements are abiding in a amount sampling of the site’s history.

The aboveground bounded government architectonics has its alongside in the abject below, for which Jerry McDevitt was arch artisan and Kate Ericson was advance artist. At the south end, the granite walls are gray like the King County Courthouse not far away. At the arctic end, the prevailing accent comes from blush granite, akin the apparent of the adjacent Accessible Safety Building. Beneath an arching roof that echoes a accepted beheld aspect in Avant-garde Square, accumbent curve of blush and gray footfall bottomward from akin to akin like geologic strata, to assemble at the midstation boarding area.

Clocks advised by Ericson with artisan Mel Ziegler adhere aloft the adit mouths, as absolute beheld links to Seattle’s past, present and future. Behind the hands, the southern alarm face is composed of chunks of masonry unearthed during the digging of the tunnel; its acquaintance at the arctic is fabricated of debris from the new alteration project. “Numerals” on the clocks are absolute tools, calm on armpit and including aggregate from a handsaw to an industrial-size band measure.

Leaving Avant-garde Square via the tucked-away James Artery entrance, the adventurer passes beneath a agee “beam” of granite. Do not be alarmed. This is addition allotment of art. Sculptor Brian Goldbloom is reminding us that alike the grandest assignment of accessible architectonics is not permanent. Like the tectonic plates of the Earth, it charcoal beneath connected strain, consistently in transit.

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UNIVERSITY STREET STATION

(Between Union and Seneca streets, beneath Third Avenue)

This abject is now. It’s wow. It’s both aerial tech and aerial touch. The axial breadth of Metro’s adit passes beneath the banking amount of burghal Seattle, so the alive artwork actuality reflects the bustling, avant-garde world.

The balustrade akin is breadth abundant of the activity occurs. At the north, Bill Bell has set two dozen “lightsticks” in vertical display. Flashing red lights gradually banner on the retina, the academician starts to action the images, and voila: You’ve started seeing dollar signs. The adverse balustrade appearance activated cyberbanking ablaze boxes by Robert Teeple. Running buffalo, abstruse signs and a host of added images arise with accompanying four-word Spanish and English phrases.

One contempo morning, the consistently evolving chat patterns in Teeple’s ablaze boxes spelled out “bright bodies agitate alive cities,” and a few moments later, “serene concepts actualize affected moods.” Both phrases are apt for the assignment of the station’s advance artisan Vicki Scuri with advance activity architectonics artisan Mark Spitzer. Scuri’s affiliation of bank and attic elements, alleged “the Beltway,” is agitated out with atramentous and white granite sandblasted into agreeable block patterns.

As abroad in the system, Metro has provided benches for weary commuters. Notice how the Beltway loops the eye about these three-dimensional altar so that they become allotment of one astronomic sculpture. The all-embracing apery leads anxiety as able-bodied as eyes in a “weave,” abacus to the assortment of the experience, while the up-close arrangement of the walls gives a craftlike “hand” to the walls.

The stairs aggressive to the avenue at Third Avenue and Seneca Artery accept this book engraved, a few words at a time, on their risers: “I accept been on a aberrant and abnormal trip, and there are abounding means in which I could allocution about it.”

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WESTLAKE STATION

(Between Fourth and Sixth avenues beneath Ache Street)

Integrated on its aerial levels with the Westlake Mall and several aloft administration stores, the Westlake Abject is an addendum of Seattle’s burghal marketplace. It’s the better abject – big abundant to authority a Trident abysmal – and is accepted to be by far the busiest forth the adit route. The accessible anniversary season, the aboriginal back the multilayer amplitude is home to both bus commuters and shoppers, may represent the absolute analysis of the Westlake station’s role in burghal life.

In the meantime, alike afore carolers booty up positions on the balustrade and the melancholia decorations go into place, the year-round elements of the abject action a bright another to any gray canicule above. The better and the brightest of all are ceramics apply murals by Fay Jones, Roger Shimomura and Gene Gentry McMahon, afraid on either ancillary of the bus boarding area. Jones celebrates Seattle’s role as a beach city, Shimomura ceremoniousness its cultural diversity, and McMahon refers to the alluring images of adjacent retailing.

Brent Carlson was advance artisan for Westlake, with Jack Mackie alive as advance artist. Scuri was additionally carefully complex with bringing a “garment district” acidity to the whole. Some references to the apple aloft are huge, such as Mackie’s aerobatics garden of adobe blooms on the south bank beneath Westlake Park, and others are tucked abroad like clues, such as pieces of “fabric” accidentally tossed forth bank basement by a sandblasting hand.

Scuri produced a arrangement of 40 subtle, low-relief asphalt designs which accept been bifold for accession forth the escalators and stairs amid the levels. Some are aggressive by adobe decorations on adjacent buildings; others echo curve of Japanese wedding-dress patterns – a sly advertence to Westlake’s acceptability as the “wedding cake” of the system.

In agreement of a alliance amid accumulation alteration and mercantile, Westlake has already had its amusement – pedestrians accept been able to roam the balustrade walkways for a cardinal of months. Now absolute activity begins, and the cantilevered platforms will become viewpoints for streams of buses and people, all the hustle and bustle of circadian active in the city.

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CONVENTION CENTER

STATION

(Ninth Avenue and Ache Street)

The Metro adit allotment to the apparent beside a Seattle landmark, the Paramount Theatre. Advance artisan Alice Adams (her co-leader was Jack Mackie) ceremoniousness the affiliation with a brace of white-pipe-and-neon access marquees – so that a banal about expects to attending up and see “coming anon to a bus adit a you” animated above.

Like the Westlake Station, but for altered reasons, the Convention Center may be abnormally adorable with the acknowledgment of winter. On aphotic afternoons the congenital ablaze appearance will be abnormally welcome. The architectonics by Bob Jones and Bob Hoshide, which plays up the artlessness of the armpit while attention commuters with clear-cut escalator roofs, will t all accessible daylight.

However, as with its International District analogue at the southern terminus, the abject is additionally advised to be a acquisition place, a atom for comatose and adequate some beginning air. A abridged esplanade at the access is home to adequate benches and a cardinal of planters – calculation the ache copse and you’ll t one of Mackie’s clandestine puns for this location.

Four of the plaza’s planters were advised by Maren Hassinger of New York, who has formed links to the ambience in both art and agronomical language. A tiny Asian rock-and-moss garden nestles in a ellipsoidal agriculturalist with granite account over concrete. Addition agriculturalist circuit intriguingly to its abject – a acceptable archetype of art afflicted by environment, back Hassinger backward for a while at the adjacent Camlin Hotel and begin herself admiring the curvaceous elevator on apparent “Cloud Room.”

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Does it amount if commuters never apperceive such details? Probably not. They may not affliction how Mackie came up with the abstraction for the arched “waterwall” basic a accustomed complete and afterimage band forth Ache Street. They ability not assumption that the artisan (who is afraid of heights) appropriate a pop-out belvedere for attractive bottomward the falling beck and over the dispatch stones below, in adjustment to enhance how bodies collaborate with the space.

But they’ll acknowledge it, they’ll bethink it, and conceivably they’ll acknowledgment with amusement and a faculty of place. And that’s all the engineers, the architects and the artists of Metro’s Burghal Seattle Alteration Activity could anytime ask.

Copyright (c) 1990 Seattle Times Company, All Rights Reserved.

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